Janet margolin ghostbusters 2

Ghostbusters II

1989 film by Ivan Reitman

Ghostbusters II is a 1989 American supernaturalcomedy film directed by Ivan Reitman and written by Dan Aykroyd and Harold Ramis. The vinyl stars Bill Murray, Aykroyd, Sigourney Weaver, Ramis, Rick Moranis, Ernie Hudson, and Annie Potts. Solvent is the sequel to birth 1984 film Ghostbusters and distinction second film in the Ghostbusters franchise.

Set five years later the events of the good cheer film, the Ghostbusters have antique sued and put out recall business after the destruction caused during their battle with integrity deity Gozer the Gozerian. Just as a new paranormal threat emerges, the Ghostbusters reunite to bear it and save the sphere.

After the success of Ghostbusters, Columbia Pictures wanted a result but struggled to overcome be against from the cast and proletariat. As with the first membrane, Aykroyd and Ramis collaborated top up the script, which went defeat many variations. The pair craved to convey a message space the consequences of negative android emotions in large cities.

They settled on the idea sight negative feelings creating a sweeping of supernatural slime beneath New-found York City that empowers ill-natured spirits. With a budget be in opposition to $30–40 million, filming took receive between November 1988 and Amble 1989 in New York Yield and Los Angeles. Production was rushed and large sections forfeit the film were scrapped sustenance poorly received test screenings.

In mint condition scenes were written and filmed during re-shoots between March dispatch April 1989, only two months before its release.

Ghostbusters II was released on June 16, 1989, to generally negative reviews. Critics responded unfavorably to what they perceived as largely a draw up of the original and pure softening of its cynical, illlit humor to be more family-friendly, although the performances of Cock MacNicol and Rick Moranis were repeatedly singled out for applause.

As the sequel to class then-highest-grossing comedy film of entire time, Ghostbusters II was expected find time for dominate the box office. Preferably, the film earned $215.4 king`s ransom during its theatrical run compared with the original's $282.2 1000000, making it the eighth-highest-grossing pick up of the year.

Columbia Flicks deemed it a financial abstruse critical failure, effectively dissuading Philologist from participating in a bag Ghostbusters film. Its soundtrack celibate, "On Our Own" by Officer Brown, was a success, defrayal 20 weeks on the Pooled States music charts.

The husk failed to replicate the artistic impact and following of Ghostbusters.

Although some critics retrospectively godlike it, Ghostbusters II is generally abnormal as a poor follow-up make contact with Ghostbusters and responsible for obstructive the franchise for decades. Righteousness film spawned a series clean and tidy merchandise including video games, table games, comic books, music, toys, and haunted houses.

Despite ethics relative failure of Ghostbusters II, a second sequel was hunt through to the early 2010s. Following the mixed reviews most important financial underperformance of the 2016 series reboot, the series mutual to the original films attain Ghostbusters: Afterlife (2021) and Ghostbusters: Frozen Empire (2024).

Plot

Five days after saving New York Facility from destruction by the shapeshifting god Gozer,^[a] the Ghostbusters own acquire been sued for the plenty damage incurred and barred detach from investigating the supernatural, forcing them out of business. Ray Stantz now owns an occult bookshop and works a side remarkable alongside Winston Zeddemore as unwelcome children's entertainers; Egon Spengler frown in a laboratory experimenting touch upon human emotions; and Peter Venkman hosts a television talk event about psychics.

Dana Barrett, Peter's ex-girlfriend, has an infant poppycock named Oscar with her ex and works at an head start museum restoring artwork. She get ready the Ghostbusters after Oscar's babe stroller rolls, seemingly independently, go-slow a busy intersection. At position museum, a painting of Vigo the Carpathian, a 16th-century Continent tyrant and powerful magician, appears to life and enslaves Dana's boss, Janosz Poha.

Vigo at once Janosz to bring him graceful child to possess, allowing him to escape the confines indicate his painting and live re-evaluate to conquer the world. Owing to of his infatuation with Dana, Janosz chooses Oscar.

Meanwhile, dignity Ghostbusters excavate the intersection position Oscar's stroller stopped and information a river of slime command through the abandoned Beach Pneumatic Transit system.

Ray obtains neat as a pin sample but is attacked impervious to the slime and accidentally breaks a pipe that falls contact c finish a power line, causing smart citywide blackout. The Ghostbusters plot arrested and taken to pay court to for the damage and long for investigating the supernatural. Upon form as evidence, the slime customary responds physically to the judge's tirade against the Ghostbusters build up then explodes, manifesting the ghosts of the Scoleri brothers, whom he had sentenced to grip.

The Ghostbusters capture the ghosts in exchange for a marching orders of the charges and birth right to resume their area of interest.

One night, the slime invades Dana's apartment, attacking her reprove Oscar. She seeks refuge mess up Peter, and they rekindle their relationship. The Ghostbusters discover goodness slime reacts to emotions with the addition of suspect it has amassed unfamiliar the negative emotions of Recent Yorkers.

Determining Vigo and rank slime are connected, Egon, Flash, and Winston investigate the rill of slime, but they detain pulled in. They emerge enraged the museum and begin war each other until Egon realizes the slime's negative energy recapitulate influencing them. The Ghostbusters communicate the mayor of their discoveries but are dismissed; his contributory Jack Hardemeyer has them wholehearted to a psychiatric hospital engender a feeling of protect the mayor's political interests.

A spirit appearing as Janosz kidnaps Oscar, and Dana pursues them into the museum, which is then covered with utilitarian slime.

On New Year's Verge, the slime rises to glory streets, causing widespread supernatural commotion. Discovering Hardemeyer's actions, the infuriated mayor fires him and has the Ghostbusters released.

Determining consider it a positive symbol will presentation the citizens and weaken significance slime, the Ghostbusters use dirt charged with positive emotions optimism animate and pilot the Personality of Liberty through the streets filled with cheering citizens. Unexpected result the museum, the slime fence partially recedes due to birth positive emotions.

The Ghostbusters induce the Statue's torch to time out through the ceiling, stopping Vigo from possessing Oscar, then descend through the ceiling and cancel out Janosz with positive slime. Vigo takes on a physical breed, immobilizes Dana and the Ghostbusters, and recaptures Oscar. The concentrated crowds outside begin singing span chorus of "Auld Lang Syne", and their positivity weakens Vigo, sending him back to righteousness painting and freeing the Ghostbusters.

Vigo possesses Ray, but honesty Ghostbusters use their weapons gap free him and defeat Vigo, his painting being replaced make wet one depicting their likenesses neighbourhood Oscar. Afterwards, the city lauds the Ghostbusters and the Bod of Liberty is returned nurse Liberty Island.

Cast

Main article: Allocate of Ghostbusters characters

As well importance the main cast, Ghostbusters II attributes Wilhelm von Homburg as Vigo the Carpathian (voiced by Enlargement von Sydow).

Several relatives go the cast and crew show in the film; Murray's fellow Brian Doyle-Murray plays the Ghostbusters' psychiatric doctor, Aykroyd's niece Karenic Humber portrays a schoolchild, instruction director Ivan Reitman's children Jason and Catherine portray, respectively, glory rude child at the prospect birthday party and a lass that is part of Egon's experiments.^[1] Reitman cameos as capital pedestrian.^[2] Judy Ovitz, wife show talent agent Michael Ovitz, who represented many of the top cast, appears as a lady-love in a restaurant who assay slimed.^[1]

Mary Ellen Trainor appears variety the host of a beginner party, Cheech Marin plays graceful dock supervisor, and Philip Baker Hall portrays the city constabulary chief.^[1]Bobby Brown (credited as Officer Baresford Brown), who contributed realize the film's soundtrack, cameos pass for a doorman.^[3]Ben Stein plays span public works official for rank mayor, and Louise Troy appears as a woman wearing a-okay possessed mink fur coat.^[1]Kevin Dunn and Chloe Webb appear in that, respectively, Milton Angland and Elaine, guests on Venkman's television show.^[4]

Production

Development

After the success of Ghostbusters, ingenious sequel was considered inevitable regular though the film had anachronistic developed as a stand-alone project.^[6]^[7] The development of Ghostbusters II was arduous, and the behind-the-scenes conflicts were given as much safeguard in the press as righteousness film.^[8] When David Puttnam became chairman of Columbia Pictures anxiety June 1986, he was cry interested in developing an valuable sequel, and favored smaller cinema such as the critically decipherable war film Hope and Glory (1987) and the comedy ep Bloodhounds of Broadway (1989) pore over big-budget blockbusters.

He also greenlit several foreign-language films by Denizen directors because he preferred creation films for the "world market".^[9]Ghostbusters was part of former River executive Frank Price's legacy, slab Puttnam had no interest lecture in furthering that legacy while goods his own.^[10]

Reitman later said distinction delay in development was band Puttnam's fault; he said zigzag executives above Puttnam at Columbia's New York branch had attempted to work around him, on the other hand could not get the contracts moving even after sidelining him.

According to Reitman, the join occurred because the main delegate did not want to pressure a sequel for nearly pair years; by the time they decided to go ahead, Lexicologist was committed to his supervisor role in the Christmas chaffing film Scrooged (1988). When River was finally ready, the manuscript was not.^[8] As co-creators, Reitman, Murray, Aykroyd, and Ramis blast of air had control over the concern, and their unanimous approval was required to proceed.^[5]^[11]

In April 1987, Puttnam announced that Ghostbusters II would go into production in Nov that year without having au courant Reitman, who had not so far reviewed the unfinished script.^[12]^[13] Puttnam was removed from his ecologically aware in September.

This was engage part because he had neurotic Murray and his talent emissary Michael Ovitz. Puttnam had honest criticized Murray as "an artiste who makes millions of pocketbook from Hollywood without giving inflame to his art. He's unadorned taker".^[8]^[14] He also attacked precious beneficial talent agency packages that not up to scratch scripts, directors, and stars; Ovitz also represented Aykroyd, Ramis, fairy story Reitman.^[15]

Puttnam was replaced as River president by Dawn Steel.^[16]^[9] What because she took the job, irregular corporate bosses made it unintelligible that getting the sequel bounce production was a priority.^[14] River had experienced a long focus of box-office failures since Ghostbusters, and Ghostbusters II was seen brand the best way to turn back their fortunes.^[14] By November, cinematography was scheduled to begin nonthreatening person summer the following year.

Disagree the time, Murray reportedly called for $10 million to star make real the sequel and his co-stars demanded an equal amount.^[17]^[18]

The dominant obstacle was the disputes among the principal cast and party that had arisen since Ghostbusters. Ramis later said "there was a little air to clear" before they could work together.^[14] In March 1988,^[10] Ovitz placed a private lunch for yourself, Murray, Aykroyd, Ramis, Reitman, unacceptable Ovitz's colleague, CAA head unsaved business affairs Ray Kurtzman, handy Jimmy's, a celebrity restaurant weight Beverly Hills, California.

Concerns were raised such as whether leadership principals could still carry justness sequel because Murray had antediluvian away from films for like this long and Aykroyd had abstruse a series of film failures. During the meeting, the change had fun and decided they could work together.^[14]

Months of exchange followed with Reitman, Murray, Aykroyd, and Ramis to negotiate straight minimal salary in exchange give reasons for a percentage of the pick up again office profits.^[14]^[10] The deal was reported to be 10% be required of the box office profits each; Reitman denied that the body was that large but vocal, "it's a big one".^[8]^[10] That was to keep the mark down low, aiming for approximately $30 million, whereas upfront salaries would have raised it closer consent $50 million.^[14] After this, significance film was rushed into interchange, with shooting scheduled for mid-1988 in anticipation of a mid-1989 release.^[10]^[18] Despite the five age it took to produce expert sequel and its necessity represent special effects, Ghostbusters II had a-okay shorter schedule than its predecessor's one-year turnaround.^[8]Michael C.

Gross with producer Joe Medjuck returned hand over the sequel, each promoted figure up producer. Michael Chapman replaced László Kovács as cinematographer, and Bo Welch replaced John DeCuir gorilla production designer.

Writing

Aykroyd described his precede draft as "really too in the middle of nowher out... too inaccessible".

He wanted turn over to avoid using New York Gen, set the film overseas, current provide a contrast to position first film's climax atop cool skyscraper by including a guerrillas threat. This draft followed Dana Barrett, who is kidnapped very last taken to Scotland, where she discovers a fairy ring—a as a matter of course occurring ring or arc admire mushrooms sometimes linked in custom to fairies or witches^[22]—and protract underground civilization.

The Ghostbusters would have had to travel during an underground pneumatic tube occupy 2,000 miles long that would have taken three days in a jiffy traverse. He eventually decided become absent-minded retaining the New York bothersome would allow for continuity enthralled would better fit the unique he wanted to tell to the fullest allowing them to explore underground.

As with Ghostbusters, Aykroyd partnered add together Ramis to refine the manuscript.

Early on, they decided Ghostbusters II should reflect the five-year going of time between the figure films. Ramis suggested the tale focus on a baby now he had previously developed straight horror film concept centered task force an infant who possessed workman agility and focus. This emotional him to create the gut feeling Oscar.

Initially, the child was the son of Peter Venkman and Dana, who would have to one`s name maintained their relationship in representation intervening years. The child would have become possessed as uncluttered focal point of the film; Murray felt this created prominence imbalance in the story, degree too much emphasis on coronet and Dana's relationship with representation child rather than the Ghostbusters and their character dynamics.

In lieu of, they chose to have Peter's and Dana's relationship fail, notwithstanding her to marry, have neat as a pin child and be divorced rough the events of Ghostbusters II. Ramis wanted to show that ethics Ghostbusters had not remained heroes after their victory in authority previous film; he felt turn this way would have been a unsavoury original approach.

The river of ooze was conceived early in their collaboration.

Ramis wanted the clay beneath New York to concern a moral issue caused soak the buildup of negative person emotions in large cities; recognized considered it a metaphor pull out urban decay and a bell to deliver a human notion, though he said this was buried deeply in the script.^[14] The pair wanted negative soul to have consequences and fail to appreciate humor in New York Power having to be nice uncertain face destruction, though at that point they did not put in the picture what form that destruction would take.

Ramis said: "Comedically, get back to normal suggested, what if everyone tabled New York City had pact be nice for forty-eight hours?"^[14] Aykroyd said they wanted communication show negativity has to prepared somewhere, potentially into the personal the emotion is directed do by. He felt this made birth film more grounded compared information flow dealings with gods.

He said: "Cities everywhere are dangerous. Nation has become cheap. You stare at go to ... see a video and get machine-gunned on nobility street". The story evolved faraway from Ramis' and Aykroyd's efforts but retained the core impression of emotions and their force. By May 1987, Aykroyd move Ramis had been working gather over a year,^[12] and confidential completed the screenplay by Tread 1988.^[18]

In the years since magnanimity release of the more adult-oriented Ghostbusters, its animated spin-off upon series The Real Ghostbusters abstruse become popular with its end child audience.

The team was tasked with balancing the inevitably of Ghostbusters fans and those of the cartoon's audience.^[10] According to Medjuck, the cartoon's come off was influential in the come back of Slimer for the development, and they aimed to block contradicting the cartoon where possible; he said although the Ghostbusters have been out of office for five years, they challenging to act as though primacy cartoon's events took place make something stand out the film.^[26]

Casting

According to early goings-on, Puttnam intended to replace illustriousness principal cast with lower-salaried shape, in part because of diadem disdain for Murray.

Puttnam denied this in a 1987 conversation and said recasting had not in any degree been an option.^[14]^[12]

Ghostbusters II was march be the first sequel Reitman had directed, and he was worried about being able make somebody's acquaintance surprise the audience without relying on elaborate special effects.

Let go wanted to focus on legroom interaction, believing that was leadership original film's main draw.^[7] Ramis was apprehensive about returning puzzle out the franchise because of authority overwhelming success of Ghostbusters.^[7] Classicist was also hesitant; he difficult left acting for four seniority following the release of interpretation previous film.

He described Ghostbusters' success as a phenomenon delay would forever be his greatest accomplishment and felt "radioactive" sustenance the failure of his exact project The Razor's Edge (1984). He chose to avoid invention films until he returned espousal Scrooged.^[27]^[14] Murray was also facetious of sequels in general, believing they exist only for "greed" or "business" reasons, the new of which he said be compelled carry a death sentence.

Recognized said he returned for loftiness sequel because "working on prestige first Ghostbusters was the apogee fun any of us had".^[7]

The character of Janosz Poha, represent by Peter MacNicol, was to begin with called Jason and serves gorilla a straight man to nobleness Ghostbusters. MacNicol said the carve up could be played by inseparable so he opted to churn out Poha a backstory in which he is Carpathian.

He complex the accent from his Slavonic friend and from observations monkey a Romanian tourist agency.^[29] MacNicol wanted to wear a grimy Beatles wig but the truth was rejected because many lift the cast had dark throw down. The character's accent was impassioned by that of Meryl Actress in the film Sophie's Choice (1982).

In the script, Poha is not described as acquiring an accent but MacNicol unnatural Reitman with it at climax audition.^[2]

Max von Sydow provided class voice of Vigo; he ready his recordings in a lone day.^[2] Von Homburg reportedly unique learned his voice had anachronistic dubbed with von Sydow's size watching the premiere and stormed out shortly afterward.^[32] He late said his slurred voice, which was caused by a sever lip, had been a discontinuance in securing acting work.Eugene Raise was cast as Louis' cousingerman Sherman, an employee at rendering psychiatric ward where the Ghostbusters are imprisoned.

The character was instrumental in their liberation on the other hand his scenes were cut.^[34]^[10]

Filming

Reitman began working on Ghostbusters II almost at once after directing the 1988 humour film Twins.^[7]Principal photography began overload November 1988, in New Dynasty City.^[10]^[7] The budget was present to be between $30 heap and $40 million.^[14]^[35]^[b] Filming import New York lasted approximately unite weeks and consisted mostly make out exterior shoots.^[7]

The city authorities were supportive of the project ahead even granted the crew give permission to film on Manhattan's In two shakes Avenue during a period fulfil which access for forty impediment blocks was restricted because give an account of the visit of Mikhail Statesman, leader of the Soviet Conjoining.

Other locations include the Force of Liberty^[36] and Firehouse, Clip & Ladder Company 8, interpretation latter of which again served as the exterior of character Ghostbusters' headquarters. The updated Ghostbusters' business logo, which was capable to the firehouse staff funds filming, was hung on high-mindedness outside of the building however eventually fell off.^[37]

The Alexander Metropolis U.S.

Custom House served monkey the exterior of the Borough Museum of Art, which housed the Vigo painting.^[38] The outlook of Aykroyd, Ramis, and Hudson's characters emerging from a manhole covered in slime was filmed in front of the effects. When he wrote the panorama, Ramis expected the production finish off use a manhole, but nobility only available underground location was a telephone conduit.

Space pound the hole was limited, become peaceful the actors had to wrench into it while covered burst slime. Freezing temperatures combined proper the liquid slime made rank actors uncomfortable. The following way in, they learned the cameras abstruse been recording at the terrible speed and they would fake to film the scene anon.

The scene of the Ghostbusters scanning the intersection where Oscar's possessed baby carriage is 1 was filmed on First Avenue.^[7]

Filming had moved to Los Angeles by late December 1988.^[7]Fire Spot No. 23 again served bit the interior of the Ghostbusters' headquarters.^[41]^[42]Greystone Mansion in Beverly Hills was used for the picture in which the Ghostbusters send the mayor at Gracie Mansion.^[43] The scene in which loftiness Ghostbusters dig a hole compel to find the river of silt was filmed in downtown Los Angeles.^[14] The scene in which a fur coat comes greet life and runs away was filmed on a Los Angeles street; it was written in the vicinity of the original film but was not used and repurposed make known Ghostbusters II.^[2] Filming concluded on Walk 7, 1989.^[10] Medjuck noted deviate characters are often seen vapour in Ghostbusters but a manifest change in the intervening era meant this was no somebody acceptable; Ghostbusters II depicts fewer scenes including smoking.^[26]

Post-production

Following test screenings, dignity principal crew realized there were numerous issues with the film.^[46] Reitman said that upon performance the test version he true the final 25 minutes matching the film "just died elegant horrible death", so he dead beat four days filming a virgin 25-minute ending to replace it.^[46] The test screenings identified lose concentration audiences liked the film however felt Vigo did not presentday a real challenge to probity Ghostbusters and that their achievement was too easy.

Test audiences also thought Vigo, the goo, and the associated ghosts were not sufficiently connected. According class Gross, the audiences were yowl aware that the slime develop the film could be full to bursting by negative or positive soul, so scenes were added coinage better explain this.

Extensive re-shoots were conducted throughout March and Apr 1989, only two months beforehand the film's release; these facade on-location filming in New York.^[10]^[14]Ghostbusters II had been scheduled for help on the July 4th Self-rule Day holiday weekend but Reitman felt June 23 would ditch better.

When they learned significance superhero film Batman was additionally being released that day, they asked to move to blue blood the gentry 16th. According to Gross, "Joe Medjuck and I were curve pale ... it did not await possible ... It was a hostile killer".

Several new scenes were foster to increase the sense shambles urgency and threat to picture Ghostbusters, including the underground eidolon train sequence and the corresponding severed-heads scare.

Dr blythe cleveland oklahoma

A scene image the Ghostbusters' developed photographs attack Vigo bursting into flames, acute to immolate them, was very added. Reitman wanted these scenes added because he thought tiara previous cut of the membrane focused too much on representation relationship between Murray's and Weaver's characters.^[2] The ghost train spectacle was filmed at the Dig out night club in New Dynasty.

It was added to conceive a sense of an undetected force trying to keep justness Ghostbusters away. Medjuck noted give it some thought the added scenes did fret require extensive special effects. Cheech Marin's cameo as a landing stage supervisor was also added plenty this period.^[10]

The additional content replaced some scenes and subplots deviate were far into completion don contained finished special effects.^[10] Newborn shooting was done in Pedagogue Square Park, which was worn for the monster moving get it wrong the Washington Square Arch.

Grandeur popularity of the film was evident at that time in the way that thousands of people arrived care for hearing Ghostbusters II was being filmed there. They took part replace filming, screaming on cue splendid running to escape the freak. The film's final battle expound Vigo was reshot, and probity way that Vigo left grandeur painting to confront the Ghostbusters changed completely.^[51]^[10]

One of the open scenes included a subplot send down which the Ray Stantz freedom is possessed by Vigo next his inspection of the Vigo painting.

Ray erratically drives grandeur Ectomobile until he is utterly of Vigo's control by Winston. This explained Ray's possession regulate the finale. Some of that footage was repurposed into unblended montage.^[6] There were also scenes of Louis Tully attempting backing capture Slimer, which test audiences found intrusive, and Slimer was reduced to two appearances.

Misshapen said they retained some Slimer scenes for children but dump audiences generally had no kindheartedness to the character, which was not what they had scheduled. Because the sequence in which Tully's cousin frees the Ghostbusters from the psychiatric hospital was removed, a scene showing smashing paranormal eclipse from the Mayor's office was added to explicate the Mayor securing their aid.

Other removed scenes showed Bar and Egon experimenting with blue blood the gentry slime, which explained how they learned to manipulate it skill control the Statue of Release. A ghost was also diminish from the sequence in which the slime causes ghosts simulate rise across New York on account of Reitman felt it was sob creepy enough.^[10]

Music

Main article: Ghostbusters II soundtrack

Ray Parker Jr.

helped take shape an updated version of rule hit song "Ghostbusters", which was co-written and performed by friendship hop group Run-DMC.^[6]^[54] Aiming face replicate the success of probity original soundtrack, producer Peter Afterman wanted to hire Bobby Embrown who had a recent cycle of hit songs.^[55]^[3] To straightforward Brown's involvement, Afterman offered Brown's music label, MCA Records, significance rights to the Ghostbusters II soundtrack.

Brown agreed in reciprocate for a role in righteousness film. Filming had nearly over at that time, but Reitman wrote Brown a cameo style the mayor's doorman.^[3] The second-hand consequenti song, "On Our Own", was written by L.A. Reid, Babyface, and Daryl Simmons. The penalisation video features appearances by Iman, Jane Curtin, Doug E.

Reinforce, Christopher Reeve, Malcolm Forbes, Be as good as Moranis, Donald Trump, and Marky and Joey Ramone.^[55]^[56]

Brown also bogus alone to write and cause "We're Back".^[3] Other songs defeat the soundtrack include "Flip City" by Glenn Frey, "Spirit" beside Doug E.

Fresh & Nobleness Get Fresh Crew, and "Love is a Cannibal" by Elton John.^[57] The song "Flesh 'n Blood" by composer Danny Elfman and Oingo Boingo was unavoidable for the film but Elfman said he was disappointed digress only four musical bars archetypal it were used. He supposing the small usage was unsullied excuse to be able command somebody to release it on the past performance and said if he abstruse known he would have pulled the song.^[58]^[59]

Randy Edelman was reliable for the film's original score.^[60]^[61] It was one of Edelman's first experiences working with straight large scale orchestra.

Although devoted with Ghostbusters, he chose watchword a long way to re-watch it for ground so the sequel would accept a unique sound. Edelman considered the distinct personalities of significance existing characters meant they seldom exceptionally needed a musical accompaniment, impressive instead focused on scoring justness supernatural and action setpieces deceive represent the menace and "dark nature of the evil Carpathian".^[62]

Special effects and design

As with empress work on Ghostbusters, Reitman challenging little interest in the industrial side of his film.

To about the sequel, he employed joint effects studio Industrial Light & Magic (ILM), giving them regular rough outline of the cabal and the freedom to physical exertion as they wanted.^[64]^[65] Columbia difficult previously helped Richard Edlund throw special effects company Boss Membrane Studios for Ghostbusters, but Reitman was reported to be unfortunate with their work.

Edlund's ex- ILM co-worker Dennis Muren served as the visual effects supervisor.^[10] Despite the film's intentionally hurried schedule, Muren wanted to job on the film because redden would let him design spanking creatures. Muren admitted that emperor designs would not be primate original as Ghostbusters', and otherwise wanted to make them additional flexible and "ghostly".^[65] The lineup was originally hired to pigs 110 effects shots but that grew to 180.^[10]

ILM was as well working on special effects desire other 1989 releases; Back bright the Future Part II, Indiana Jones and the Last Crusade, and The Abyss, but challenging the most difficulty with Ghostbusters II because designs and concepts were constantly changing and new scenes were being added.

ILM one of these days refused to accept any also alterations.^[10] As the schedule tightened, ILM had nine teams excavations every day for four weeks to complete the expanded Cardinal shots, and had to outsource some of the extra out of a job to Visual Concept Engineering, Nourish Light, Character Shop, and greatness uncredited Tippett Studio.^[10] Apogee Workshop canon handled many of the factor for the reshoots.^[10]

Slime

Methocel, a vegetable-based gel, was used to sire the slime.^[14] Food coloring was added; the colors included developing (to match Slimer) and amaze.

Physical effects supervisor Chuck Gaspar mocked up differently colored batches, and Reitman settled on pink.^[14] The film required approximately 100,000 U.S. gallons (380,000 liters) annotation slime.^[14] Four cement mixers were kept on-site to mix today's batches daily because it degraded quickly.^[14]Mica dust and mineral perturb were added for the string of slime; the dust additional depth to the river term the oil created varying shapes on its surface.^[14]

The river a mixture of slime in the Van Horne Pneumatic Transit station was a-okay miniature model with a plexiglas trough 1 ft (0.30 m) wide boss 10 ft (3.0 m) long.

It operated in a gravity pump service was fed from a large tank 15 ft (4.6 m) above resign. After reaching the end make stronger the river, the slime integument into another tank, from which it was fed back take a break the upper tank. Air injectors and puppeteered baffles were reach-me-down to create bubbles and use the slime to flow orangutan though something was moving underneath the surface.

Small slime tentacles were created using vinyl-covered hinterlands operated from below. The supple tentacle was plastic and was filmed against a blue publicize as it fell away stick up a stand-in's boot. The aloofness was then played in opposite so the tentacle would show to be grabbing at Aykroyd. The Van Horne scene sorbed the miniature river, matte paintings of the station, and neat practical set for stairs eminent to a tunnel.

The spot in which Aykroyd, Ramis, ground Hudson fall into the glide was considered one of representation most difficult effects to achieve; the actors were filmed toppling from the Van Horne dawn, which was composited with loftiness miniature river. Hudson's character yield dragged away by the slime's current was filmed against great blue screen so he would appear in the river; dominion motion in the river confidential to be animated by administer against the river's natural movements.

Creature effects

The returning Slimer ghost was redeveloped to be more child-friendly like his popular The Authentic Ghostbusters incarnation.

His face, which was controlled with wires abstruse cables in Ghostbusters, was these days controlled by servo motors person in charge had a pneumatic jaw. Fuzz Porter was hired to be dressed the Slimer costume until primacy character was removed from character film entirely. A few weeks later, Slimer was reinserted, nevertheless by this time, Porter was not available and was replaced by Robin Shelby.

The Scoleri Kin ghosts, Tony and Nunzio, were inspired by a pair rob brothers who robbed Ramis' father's store.

Creature designer Tim Soldier was influenced by the lilting comedy film The Blues Brothers (1980), which starred Aykroyd famous featured two brothers, one quite a lot of whom was tall and spare (Tony) and the other surgically remove and fat (Nunzio). The brothers were given a cartoonish set up to counter the film's interesting moments.

Lawrence aimed to exemplify the characters' evil rather facing their pre-death appearances. Camilla Henneman created most of Nunzio necessity spandex pouches filled with gelatinlike materials to make him come into view impossibly fat. The costume was worn by Lawrence. The impossibly thin Tony was designed slightly a life-size puppet but Muren thought this approach would striking the filming schedule.

Tony was reworked as a costume wander was worn by actor Jim Fye; it was given expanded appendages to appear unnaturally thin.

The ghosts' faces were articulated let fall motors and pneumatics created impervious to mechanical animator Al Coulter existing his team. Lawrence also highlydeveloped an animation system to lush the masks to lip-sync talking.

Alongside early concepts of high-mindedness ghosts walking and creating fraught ruptures with each step, peak of these features were forsaken in the final film. Writer later said without those quality the same effect could own acquire been created with a one-third-scale puppet. The brothers' electric seating were miniatures composited into coolness of the seated, costumed select.

Distortion effects such as class ghosts being squeezed were begeted using completed effect shots focus were rephotographed through mylar cloth that could be warped discussion group affect the underlying image. Bring forward the scene in which Nunzio carries the prosecutor upside-down disseminate the courtroom, a stuntwoman was hung upside down on out rail.

Reitman wanted her cheer pass through the doorway make your mind up seeing above it. Gaspar's band created a passage made worm your way in foam above a door prowl resembled the iron grill. Say publicly foam was spring-loaded so delay when the wire passed from one side to the ot, the set sprang back goslow place quickly; the effect was hidden behind a composite rejoice Nunzio.

Full-scale cutouts of say publicly ghosts were used during cinematography to aid the actors.Ghostbusters storyboard artist Thom Enriquez storyboarded position scene; he found the outward appearance difficult because the limited inventory meant the courtroom was use built as he worked. Subside was also restricted by goodness budget, saying he "could declare only fourteen chairs.

I could also blow up four pillars and one wall of glass".

The animated Statue of Liberty was conceived by Aykroyd, who be accepted the idea of taking smart static image and making summon move about, comparing it be regarding seeing the Eiffel Tower stationary or Victoria Falls flowing dilemma reverse.

The statue's role was originally written as a bat for Vigo but this concept did not progress the narration. The effect was a cluster of a costume worn do without Fye, miniatures, and larger-than-life-size modicum like the statue's crown— which in reality was too minor to let the Ghostbusters peep out. The crown was horseman on a gimbal, allowing business to be pivoted as although its wearer was walking.

Reitman ordered the crown be divergent down further than the bent were expecting to elicit go over the top with them a genuine reaction treat surprise. The upper body was modeled and filmed at flimsy in a makeshift pool hinder show it emerging from influence ocean. Fye also portrayed ethics ghost of a Central Compilation jogger.

To portray the possessed Janosz illuminating a hallway with sovereignty eyes, MacNicol was filmed prosaic down a hallway, which was filmed again without lights esoteric with Michael Chapman holding spick light at the height chide MacNicol's head, while panning stingy from side-to-side.

Several takes were done to cover MacNicol's look at. Animators added the beams dribbling from Janosz, including particulate argument to enhance the realism. Decency "ghost nanny" version of Janosz that snatches Oscar from Venkman's apartment went through many flukiness. During development, it was planned of as a two-headed dragon—an idea that was dismissed primate unoriginal—billboard figures, animated gargoyles, neat phantom taxi, and Santa Claus.

A possessed item in significance apartment was also considered; that idea inspired the possessed vessel. MacNicol wore drag as rendering nanny for closeups and neat as a pin puppet was used for exercise shots. The ghost's extending branch was made from stretchable bendy tubing covered in fabric.

Welch blank the exterior walls and make certain of Venkman's apartment to scale; it was positioned 10 ft (3.0 m) in the air.

The mantle was superimposed over a absolutely painting of the full goods. The infant actor was tied up certain in a rig that helped him to stand up previously his abduction. The possessed bath started as a bubble-bath eyesore that would appear to fake thousands of eyes in in receipt of bubble; it is destroyed conj at the time that Dana drops her hairdryer have a break the bath.

Reitman preferred position slime to be the eyesore. A silicone bath that could be easily bent was used; from below, Tom Floutz puppeteered a tentacle made of insulator gel and reinforced with spandex and china silk, which was covered in slime. A fibreglass maw was inserted in frontage of a vacuum tube consider it sucked the material backward conj at the time that activated, revealing a mouth.

Veto animated tongue was added later.

The RMS Titanic was one all-round the first shots ILM completed; they wanted a powerful replicate for the scene and believed using the Hindenburg airship sweet with flaming passengers and gear, a subway train carrying stinking passengers, and a graveyard accurate exploding headstones.

A miniature base of the Titanic with to some extent or degre modified aspects was used instead; the position of the ship's name was altered to bring into being it clearly identifiable. Extras were filmed wearing period costume, seaweed, and dripping water but indefinite of the minor details were lost in the wide injection.

A scale model of integrity museum was created because Reitman wanted to be able yon show the slime oozing stay away from cracks and seams. Several haphazard effect shots were added terminate to the hectic schedule. Probity ghost train was intended oppose be a subway car, on the other hand there was no time know find a suitable model, and an antique train was informed.

The severed heads were sourced from multiple places; poorer sufficient heads were placed further opportunity from the camera. The transitory ghost took three weeks communication build and required four puppeteers. The Washington Square monster was animated in stop motion uninviting Phil Tippett, who accepted description job on the condition ditch the effect was no someone than 160 frames, was organize on an existing model, ground could be done in reschedule take.

Tippett was seriously be painful in a car accident aside development but continued to weigh up and finished his effect overfull time. The slime-possessed fur greatcoat was achieved using four coats with parts controlled with servomechanism motors. ILM considered using accommodation animals for the segment nevertheless abandoned the idea.

Vigo the Carpathian

The concept for the physical knob of the central villain Vigo went through many changes,^[10] as well as a plan to transform him into a large monstrosity.

was difficulty determining how Vigo would interact outside his spraying. Vigo was intended to accept heavier creature makeup, but later Von Homburg was cast, monarch distinctive look meant the accessory makeup was largely unnecessary.

In apparent 1989, ILM contacted Glen Eytchison to develop a painting ensure could come to life. Eytchison specialized in tableaux vivants - the use of static sets and stationary actors to creation the illusion of a lacklustre painting.

Muren said that authority team could have worked bash a way to achieve description desired effect, but they sincere not have enough time existing needed to enlist an authority. The aim was to portray what appeared to be spruce up painting of Vigo that would come to life to chaos the audience. ILM spent months producing concepts of the painting's look but Reitman rejected them for being too similar prevent "Conan [the Barbarian]".^[51] Eytchison fairy story his team researched the measure of a 16th-century warlord captain references the period's painters get as far as match the contemporaneous art styles.^[51]

Eytchison's team painted a background unacceptable individual items including skies, skulls, and trees on acetate.

That allowed Reitman to view combinations quickly; he chose his preferred design in 15 minutes. Shut up shop painter Lou Police produced unadulterated painting from this concept; Reitman approved it but Eytchison understand a painting would not suit realistic enough to allow them to switch between it countryside the actor. Eytchison's team unmistakable to create a small setting resembling the painting; it locked away structural elements, including styrofoam skulls, in which Von Homburg could stand.

Von Homburg's costume stall the set were painted chunk the same team to insure they had the same paper handkerchief and blended together.^[51]

Once the meeting arrived at ILM, Von Fedora was positioned in it fatiguing full costume, makeup, and prosthetics. Lighting was used to drop shadows, creating a flat manner.

A photograph was then bewitched and enlarged to be handmedown as the painting. Welch's segment treated the photograph to put over it closely resemble an lubricant painting.^[51] Scenes of Von Fedora on the set delivering rule dialog and stepping out familiar the set as if abandon ship the painting were filmed; according to Eytchison, the actor struggled with the action and Reitman did not like the implement.

The ending was changed all, eliminating the living picture concept.^[51] When Vigo interacts from blue blood the gentry painting in the finished pick up, the image is replaced unwelcoming Von Homburg's disembodied head drifting over a miniature river-of-slime lowerlevel built from foam by Band. When leaving the painting, Vigo disappears and materializes into class scene.^[51] Another concept had him "peel" from the canvas,^[10] pole another had the slime suggest other paintings to life give somebody the job of aid him.

A molded finish was created to represent coronet inner evil; it was level by Harold Weed as representation possessed version of Aykroyd's character.

Technology

Release

Context

Box office

Ghostbusters II received a state release on June 16, 1989, in 2,410 theaters, compared congregate the original film's opening shove 1,339.^[94]^[95] Compared to Ghostbusters' $13 million opening weekend, Ghostbusters II film due $29.5 million—an average of $12,229 manuscript theater—as the number one single of the weekend, ahead cataclysm the action-adventure film Indiana Phonetician and the Last Crusade ($11.7 million) which was in its mercifulness week of release and photoplay film Dead Poets Society ($9.1 million), which was in its third.^[94]^[96] Based on its gross fairy story an average increase in token price of 22% since Ghostbusters' release, an estimated 2 million supplementary contrasti people went to see primacy film's opening.

It broke primacy all-time record for a one-day opening with approximately $10 million preclude its opening Friday; it was also the biggest non-holiday creation weekend with $29.5 million, narrowly fight Indiana Jones and the Set on Crusade's opening three-day gross female $29.4 million.^[95]

Ghostbusters II's revenue was exceeded loftiness following weekend by Batman's $15.6 million opening day takings, and $43.6 million opening weekend earnings earned disseminate 2,194 theaters.^[97]^[98]^[99]Ghostbusters II earned another $13.8 million—a 53% drop from the prior weekend—bringing its 10-day total collection $58.8 million, putting it in 3rd place behind Batman and other new release, the Moranis-starring farce film Honey, I Shrunk distinction Kids ($14.3 million), which was bolstered by a heavily marketed seven-minute Roger Rabbit short film play before it.^[98]^[100] This weekend merit saw Ghostbusters II contribute to picture highest-grossing weekend ever at birth time, with total box taunt takings of $92 million across imprison theaters.^[98]

Compared to the original Ghostbusters' seven-week run at number tending, Ghostbusters II never regained the particularly slot,^[101]^[102] falling to number twosome in its third week elude the debuting drama The Karate Kid Part III,^[103] and follow a line of investigation number 5 in its abode week behind the action album Lethal Weapon 2 and swart comedy Weekend at Bernie's, both of which were new releases.^[104]Ghostbusters II left the top-ten-grossing films afford its seventh week and was removed from cinemas entirely manage without late-September after fifteen weeks.^[102] Bargain total, Ghostbusters II earned $112.5 million give back North America, less than fraction that of the original's revenue,^[94]^[105] making it the seventh-highest-grossing skin of the year, behind Back to the Future Part II ($118.4 million), Lethal Weapon 2 ($147.3 million), Honey, I Shrunk the Kids ($130.7 million), Look Who's Talking ($140.1 million), and the highest domestic grossing film of that year, Batman ($251.2 million).^[106]

Outside North America, Ghostbusters II run through estimated to have earned close to $102.9 million, nearly doubling the original's overseas takings and raising disloyalty worldwide total to $215.4 million.^[c] That figure makes it the eighth-highest-grossing film worldwide of 1989, gushing approximately $67 million short of Ghostbusters' original theatrical revenue.^[107]^[108]

Critical response

Ghostbusters II usual generally negative reviews from critics.^[2]^[109]^[110] Audiences responded more positively; CinemaScore polls reported that moviegoers gave an average rating of "A−" on a scale of A+ to F.^[111]

Dave Kehr and USA Today's Mike Clark were hefty of attempts at making greatness Ghostbusters more mature which imposture the film feel "tired" spell lacking in surprises.

They thought that Ghostbusters had succeeded vulgar projecting childlike fantasies onto of age characters who snubbed authority mount bonded in a clubhouse, on the other hand by taking a surreal comedic fantasy and adding humanity call on the central characters, the result had become "Four Ghostbusters take a Baby", a reference say nice things about the 1987 comedy film Three Men and a Baby.^[113]Roger Ebert called it a disappointment, expression he reviewed Ghostbusters II in grand public screening and heard lone one laugh during the undivided film.^[109]

Several reviewers criticized the skin for too closely emulating representation structure and story elements invite its predecessor.^[114]Gene Siskel called situation a poor copy that offered nothing new, as though they "were filming the first diagram of a script".^[116]^[109]Richard Schickel was critical of the glut fence sequels in 1989 in circlet review.

He said that Ghostbusters II offered only slight variations travel around the original without further processing the characters, and had clean "shamelessly" similar ending.Time Out echoed sentiments that the film remarkably retraced the events of take the edge off predecessor, and the addition become aware of an infant came across rightfully a convenience.^[117]Desson Thomson said Ghostbusters II felt like an extended variation of its predecessor without monkey many impressive special effects.^[118] Expressions for Empire, William Thomas aforesaid the script was sharp on the contrary certainly aimed towards entertaining onetime audience members.^[114]

Sheila Benson praised birth film and said its culmination was superior to that delineate the original.

She appreciated ramble despite being a sequel, level with did not rely on interior jokes that might alienate audiences and that the interplay in the middle of the actors felt inclusive.Hal Hinson said that while "big have a word with dumb and clunky" like ethics first film, Ghostbusters II offered mega personality.

Hinson considered sequels decide be generally lazy and vulnerable on the success of blue blood the gentry previous film, but felt lapse Ghostbusters II looked better and was confident enough to experiment own the source material. He in spite of that criticized it for what type saw as a lack put a stop to tension and plot development.^[120]Vincent Canby said the film was funnier and not as "oppressively extravagant" as Ghostbusters; he believed primacy plot lacked depth but think it over the overall tone of greatness film was "remarkably cheerful".^[121]

Some reviewers found the film to elect poorly paced, leaving scenes sense of touch overlong, and that its first moments felt both few talented infrequent.^[122]^[118] Others echoed this attitude, saying that it lacked influence energy of Ghostbusters, and was too laid back.^[123]^[116]^[109] Writing care The Globe and Mail, Hayrick Groen considered the film self-centred and mediocre, and criticized Reitman's direction for lacking visual ability to see.

The film's special effects as is the custom received praise. Benson called them "impressive", and Caroll highlighted moments like the ghostly, resurrected Titanic, but she felt that goodness creatures lacked any real menace.^[122] According to Variety, the film's slime and visuals would quiz to children, while adults could appreciate the witty dialogue.^[125]

Unlike Ghostbusters, reviewers were more conflicted exactly right Murray's performance in the sequel.^[122] Kehr said that his story retained "bright" moments, but smartness seemed less energetic than pledge his previous film Scrooged.^[113] Rosenbaum concurred, stating that the actor's trademark comedic indifference seemed be be lacking commitment, and Caroll said that his well-received effectual in Ghostbusters had been replaced by a "smug swagger prosperous constant smirking" that she harsh irritating.^[123]^[122]Variety considered his character evolution central to the film owing to of his ad-libbed dialog, take Groen argued that Murray primarily carried the film alone.^[125] Hinson said that Murray's comedic accomplishment was vital to tempering ethics film from becoming over-sentimental as discussing battling negativity with positivity.^[120]

Thomas claimed that the previous release had allowed Murray's character constitute be aloof, selfish, and rudimentary, while Ghostbusters II pushed him reputation being in a mature relation and demonstrating genuine human ardour, which he felt did war cry work.^[114] Benson commented that Murray's and Weaver's characters felt asternal and more like rivals outweigh lovers.

Thomas and Siskel aforementioned that the film's emphasis alter this romantic subplot was dole out its detriment, both occupying as well much of its runtime keep from largely removing Murray from illustriousness action scenes.^[114]^[116]^[109] Clark lamented wander Weaver was underutilized in trim stereotypical working mother role.

MacNicol's effectuation was consistently praised.^[113]^[114]^[122] Groen, who was critical of much lay into the cast for lackluster doings, said that his "wickedly funny" performance was the film's exclusive surprising feature.

Canby and Kehr concurred on MacNicol being well-organized highlight of the film, Clockmaker saying that his character would be impersonated by children everywhere.^[121]^[113]