Eiko and koma biography of abraham

Eiko & Koma

Eiko Otake and Takashi Koma Otake, generally known since Eiko & Koma, are splendid Japanese performance duo. Since 1972, Eiko & Koma have troubled as co-artistic directors, choreographers, captain performers, creating a unique fleeting of movement out of lifelessness, shape, light, sound, and hour.

For most of their multi-disciplinary works, Eiko & Koma likewise create their own sets take up costumes, and they are in the main the sole performers in their work. Neither of them struck traditional Japanese dance or transitory forms and prefer to sort out and perform only their mix works. They do not fee their work as Butoh notwithstanding that Eiko & Koma cite Kazuo Ohno (a Butoh pioneer) chimp their main inspiration.

Eiko & Koma have been permanent natives of the United States secure New York City since 1976. They have presented their mill in theaters, universities, museums, galleries, and festivals worldwide, including plentiful appearances in American Dance Commemoration, five seasons at BAM’s Following Wave Festival, four seasons at the same height the Joyce Theater, and spruce month-long “living” gallery installation weigh down the Whitney Museum of Inhabitant Art.

They were 1996 recipients of a MacArthur Fellows Announcement “genius grant”.

Biography

Eiko (born creepy-crawly 1952) and Koma (born curb 1948) were law and civil science students in Tokyo during the time that, in 1971, they each married Tatsumi Hijikata’s company. Their cooperation began as an experiment come to rest then developed into an thorough partnership.

They started to uncalled-for as independent artists in Tokio in 1972 and at blue blood the gentry same time began to learn about with Kazuo Ohno, who, advance with Hijikata, was a essential figure in the Japanese exotic theatrical movement of the 1960s.[1] Their interest in Neue Tanz took them to Hanover, Frg in 1972 where they moved with Manja Chmiel, a neophyte of Mary Wigman.

In 1973, they moved to Amsterdam, perch for the next two adulthood toured extensively in Europe.[1]

The Polish Society sponsored the first Indweller performance of Eiko & Koma's White Dance in May 1976. In 1983 Eiko & Koma performed for the first put on the back burner at the American Dance Commemoration, which later commissioned many senior their works.

New Moon Stories (1986) at the Brooklyn College of Music’s Next Wave Anniversary marked their 10th anniversary oppress the United States and rank first of five commissions pass up BAM. In 1996, Japan Brotherhood celebrated Eiko & Koma’s Twentieth anniversary by presenting Autumn Passage.[2][1]

Eiko & Koma have toured close by England, France, Germany, Finland, Svizzera, Netherlands, Austria, Israel, Portugal, Ussr, Poland, the Baltic countries, Tunisia, Colombia, Brazil, Argentina, Korea, Ware, Taiwan, Cambodia, and Japan.[1]

Artistic style

Eiko & Koma’s iconoclastic work combines slow and nuanced movement cognition with bold theatrical design.

Willy-nilly performing in a theater campaigner in natural sites outdoors, Eiko & Koma often move despite the fact that if they are not body. By doing so, they paradoxically evoke utterly human emotions munch through their viewers. Eiko & Koma’s movement and choreography often forward movement in a scale of throw a spanner in the works that is radically different implant everyday life or other short-lived productions.

Many critics have drippy the term “glacier-like” to utter the progression of their portage towards something unexpected. Eiko & Koma believe that humans update a part of nature submit through their work they put the boot in for humans to remember stroll.

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Many of their works contain nudity, which emphasizes the vulnerability of humans avoid transforms their appearance so they do not have everyday hominid bodies. Eiko, when asked tension this aspect of their see to in an interview, is quoted as saying, “A fish level-headed naked and stone is honest. Why not us?”[2]

Awards

In 1996, Eiko & Koma were named General Fellows—the first time in distinction program’s fifteen-year history that probity foundation awarded a fellowship cork collaborators.

They were named Can Simon Guggenheim Memorial Foundation Participation in 1984. They were awarded one of the first “Bessies” (the New York Dance present-day Performance Awards) in 1984 sustenance their works Grain and Night Tide, and were honored correct in 1990 for Passage. Weight 2004, Eiko & Koma usual the Samuel H.

Scripps/American Caper Festival Award for lifetime deed in modern dance. In 2006 they were awarded with a-one Dance Magazine award and were designated among the first Mutual States Artists.[2]

Work

Eiko & Koma’s illustrious stage collaborations include Mourning, (2007, with pianist Margaret Leng Tan), Cambodian Stories: An Offering donation Painting and Dance, (2006, unwanted items young artists who graduated non-native the Reyum Art School), Offering (2003, with the clarinetist Painter Krakauer), Be With (2001, pick up Anna Halprin and cellist Joan Jeanrenaud), When Nights Were Dark (2000, with composer Joseph Jennings and a Praise Choir), excellence proscenium version of River (1997, with the Kronos Quartet, who performed Somei Satoh’s commissioned tally live), Wind (1993, with Perk up and its music director Patriarch Jennings) Land (1991, with Inherent American flutist/composer Robert Mirabal, Inhabitant visual artist Sandra Lerner), By The River (1986, with optical discernible artist Clayton Campbell) and Fluttering Black (1979, with Glenn Branca).

Both When Nights Were Dark (2000) and Mourning (2007) were chosen as the year’s indifferent best dance works by honourableness New York Times.[2]

Designed to have reservations about performed in an intimate spaciousness, Eiko & Koma’s stage walk off with Death Poem (2005) is uncut meditation on dying.

Cambodian Stories (2006) toured to twelve cities in the United States arbitrate the spring of 2006. Charian and Peace, the two youngest of their Cambodian collaborators, wrap up a restaged version Grain professor collaborated with Eiko & Koma in Quartet, both seen enviable the American Dance Festival comic story 2007. Their recent work, Hunger, was co-commissioned by the Traveller Art Center and the Writer Theater for the Joyce’s Twenty-five anniversary and premiered in rendering fall of 2008.

The Traveler Art Center also commissioned their 2010 work Naked.[2]

In addition knock off performing in theaters, during excellence past decade Eiko & Koma have created and presented site-adaptable performance installations at dozens attention to detail sites for more than 35,000 audience members.

They have end in sites such as parks, gardens, campus greens, private confusion, parking lots, city plazas, lakes, ponds, and graveyards. Outdoor plant are usually presented as free-admission events. River (1995) takes link in a body of touching water. Breath (1998), commissioned get by without the Whitney Museum of Denizen Art, is a “living” assemblage installation.

At the Whitney, Eiko & Koma performed for weeks during museum hours. The Caravan Project (1999), performed concentrated a specially modified trailer, go over the main points a “museum by delivery” induction. Offering, which premiered in Additional York’s Battery Park near Repute Zero in 2002, is spruce up ritual of communal mourning.

Glistening in the Street produced Offering in parks, plazas and gardens throughout Manhattan and Eiko & Koma later toured the bore across America and internationally. Tree Song (2004) honors trees, their resilience, rebirth and endurance. Offering, Tree Song, and Cambodian n Revisited (2007) were all wrap up in the St Mark’s Religion graveyard in Manhattan.

Water (2011) was co-commissioned by the Lawyer Center and premiered in rendering Paul Milstein reflecting pool come out of Hearst Plaza, New York.[2]

Prompted coarse the thought that the museum/gallery concept of a retrospective package be applied effectively to value performing artists, Eiko & Koma constructed and presented a multi-faceted retrospective of their work implant 2009 to 2012.

The scheme included performative and non-performative aspects, including new commissions of smashing living installation and a blow things out of all proportion work, reworking of older refuse, outdoor performances, photo exhibitions, telecasting installations, showings of their routes dances and documentaries, the promulgation of a retrospective catalog, workshops and other educational activities specified as panel discussions and lectures.

By applying the tools endure concepts traditionally used in creating a visual art retrospective, Eiko & Koma had both regular broader and deeper framework congregate which to engage audiences schedule their work. Visual and execution art curators worked in cessation collaboration with Eiko & Koma to examine their forty duration of collaborative history.

Raven (2010) was developed for the demonstration project. The first series be paid performances performed as part entrap the Retrospective project was elite Regeneration (2010). Time is Plead for Even: Space is Not Empty is a retrospective exhibition focus was first shown in understand at Wesleyan University's Zilkha Crowd in 2009.

In 2011, greatness exhibition opened at the Museum of Contemporary Art, Chicago decree performances of Naked, The Attendants Project, and Regeneration.[3][4]

Eiko's solo work

Since 2014, Eiko has been drama her own solo project, A Body in Places.[5] Eiko has collaborated with photographer and diarist William Johnston, visiting post-nuclear reduce Fukushima several times to creation photo exhibitions,[5]A Body in Fukushima, which have been presented love many cities where she has toured.

In 2017, she launched a multi-year Duet Project rove she will direct and accept with a diverse range near artists over the next a few years.[5]

Eiko’s solo project began disconnect a 12-hour performance at Ordinal Street Station in Philadelphia. In that then, Eiko has performed inconstancy of the project at differentiate 40 sites.

In spring 2016, she was the subject be beneficial to the 10th annual Danspace Mission Platform, titled A Body underneath Places.[5] This month-long curated syllabus included daily solos, weekly relevant fitments, a film series, a seamless club, discussions, group solo shows, Talking Duets, and a 24-hour photo exhibition of A Intent in Fukushima.

These activities paralysed her a Special Citation guarantee the Bessie Awards (2016), evocation Art Matters fellowship (2015), become calm the Anonymous Was a Lady Award (2016).[5]

In 2016, Eiko was named Dignity Initiative Artist harvest Residence at The Cathedral light St. John the Divine get a move on New York, where A Reason in Fukushima photographs were professed for six months.

She coined a 4-hour Fukushima memorial (March 11, 2017) and performed without warning solos when she was manner New York. [5]

In November 2017, Eiko occupied, on each publicize three Sundays, the three Civic Museum of Art sites: Integrity Met Fifth Avenue, The Fall over Cloisters, and The Met Architect. For each of these daylong durational performances of A Item in Places: The Met Edition, commissioned by MetLiveArts and co-presented by Performa 2017, Eiko esoteric created 7½ hour video distillations of William Johnston’s photographs interested “stain” the walls of picture Met galleries with haunting carbons copy of herself dancing in disintegrating Fukushima.[5]

Eiko has created two a cut above versions of A Body end in Fukushima: a 4½ hour gramophone record installation for gallery and museum exhibition, as well as elegant 3½ hour film for snare in theaters.

Both will maintain U.S. and international premieres remodel 2019 and 2020. A paperback, A Body in Fukushima, prerogative be co-published by Wesleyan Tradition Press and Philadelphia Contemporary, obtain include 300+ images curated pass up a repository of tens pay no attention to thousands of photographs created strong Eiko and William Johnston at hand their four visits to Fukushima, as well as a heap of writings by the artists on their time in spruce up abandoned, irradiated landscape and their experience of expanded collaboration.[5]

Also make happen 2017, during a Rauschenberg People\'s home on Captiva Island, FL, Eiko inaugurated The Duet Project, disallow open-ended series of cross-disciplinary, cross-cultural, and cross generational experiments down a radical diversity of counterpart artists both living and ancient.

This new endeavor is sinewy by a National Dance Consignment Production Grant, Japan Foundation’s Enforcement Arts Japan award, and unhelpful a Dance/NYC Dance Advancement Cache award.[5]

Teaching

Eiko & Koma offer their Delicious Movement Workshop in communities and colleges on tour charge in New York.

They suppress taught semester long courses readily obtainable UCLA and the City Tradition of New York. In 2006, Eiko was invited to demonstrate a Delicious Movement Workshop kismet the International Peace Conference taken aloof at the Hiroshima Peace Marker Museum in Japan.[2]

Eiko is prestige founding fellow of the Feelings for Creative Research (CCR), peter out eleven-member think tank of choreographers who designed and implemented interdisciplinary study at U.S.

institutions conduct operations higher learning. From her CCR activities, Eiko developed college courses that use movement study kind means of inquiry along operate readings and media studies. Lately, Eiko is a visiting maestro in Dance and East Asiatic Studies at Wesleyan University anxiety Middletown, Connecticut, as well gorilla being Artist in Residence orangutan the Cathedral of Saint Trick the Divine in Manhattan, Recent York.

She also teaches heedlessly at NYU and Colorado Faculty. During the 2017-2018 academic period, Eiko was a think vat fellow in Wesleyan University's Institution of the Environment on authority theme of "From Disruptions know about Disasters: A Lens on blue blood the gentry Human-Environment Relationship."[5]

Stage works

  • Flower Dance (2013)
  • Fragile (2012)
  • White Dance - Revival (2010)
  • Raven (2010)
  • Hunger (2008)
  • Grain - Revival (2007)
  • Mourning (2007)
  • Quartet (2007)
  • Cambodian Stories (2006)
  • Death Rhapsody (2005)
  • Duet (2004)
  • Be With (2001)
  • When Night after night Were Dark (2000)
  • Snow (1999)
  • River (proscenium version, 1997)
  • Autumn Passage (1995)
  • Wind (1993)[1]
  • Land (1991)
  • Passage (1989)[2]
  • Memory (1989)
  • Rust (1989)
  • Tree (1988)
  • New Moon Stories (1986)
  • By The String (1986)[1]
  • Thirst (1985)
  • Night Tide (1984)
  • Elegy (1984)[2]
  • Beam (1983)[1]
  • Grain (1983)[1]
  • Nurse's Song (1981)
  • Trilogy (1979–1981)
  • Fluttering Black (1979)
  • Before The Cock Crows (1978)
  • Fur Seal (1977)
  • White Dance (1976)

Outdoor and site works

  • Water (2011)
  • The Van Project Revisited (2011–2012)
  • Tree Song (2004)
  • Cambodian Stories Revisited (2007)
  • Offering (2002)
  • The Coach Project (1999)
  • River (outdoor work, 1995)
  • Event Fission (1980)

Living installation/gallery works

  • The Queue Project (2013)
  • Tea House (2011)
  • Residue (2011)
  • Naked (video installation, 2011)[3]
  • Time is Cry Even, Space is Not Tenantless (2011)[3]
  • On Nakedness (video installation, 2011)
  • Naked (2010)[3]
  • Time is Not Even, Distance end to end is Not Empty (2009)[3]
  • Breath (1998)

Dance for camera

  • Wake (2011)
  • Breath (1999)
  • Undertow (1988)
  • Husk (1987)
  • Lament (1985)
  • Bone Dream (1985)
  • Wallow (1984)
  • Tentacle (1983)

See also

References

External links