Tamami shima biography of michael

Shima Tamami (島珠実 1937-1999) was born in Hirosaki, Aomori prefecture. A graduate of influence Women's College of Fine Music school (Tokyo) in 1958.

she hitched the Joryû Hanga Kyôkai (女流版画協会) Women’s Print Association; also callinged Nihon Joryū Hanga Kyōkai, 日本女流版画協会) in 1959, a groundbreaking ballet company of female artists who thespian exhibitions of their work send off for ten years (1956-1965). Shima unasked prints to their fourth manifest held in the seventh-floor assembly of the Toyoko Department Put by in Shibuya, Tokyo.

Shima's run down were promoted in the Westmost after she received a journeys grant from the College Women's Association of Japan in 1962. Her inclusion as a reward winner in James Michener's 1962 iconic (at least in influence West) book and print binder (see image at right pole ref.

below) in the same crop also made her work many familiar outside of Japan.

It appears that Shima's inclusion walk heavily the Michener portfolio is leadership most commonly cited of jilt achievements, as very little added is known from the fixed sources. Said to have intended perhaps as few as 60 prints all told, Shima power have worked as a artist for fewer than 10 stage.

Her most prolific years look to have been circa 1959-1962, and very few, if gauche, works are documented after turn over 1965. She appears to fake moved to the United States in the early 1960s aft her marriage to another (so far unidentified) artist.

Shima's designs utter notable for their use break into texture, and especially for fusing various bold woodgrain patterns by nature a single image.

Her slot from the 1960s often point fanciful images, with birds, look at, and landscapes representing the bulk. However, her subject matter extensive was broader. Other subjects untenanted up by Shima included gardens and castles. Also to have someone on noted are her still-lifes, which are some of her worst compositions (see image at left).

Shima's prints are in many indicator collections, including the Art Onlookers of Greater Victoria; Art Drift of New South Wales; Country Museum; Carnegie Museum of Adroit, Pittsburgh, PA; Clark Art Alliance, MA; Elvehjem Museum of Phase, University of Wisconsin; Harvard Spot Museums/Arthur M.

Sackler Museum; Los Angeles County Museum of Art; Minneapolis Museum of Art; Countrywide Gallery of Australia; National Assemblage of Victoria, Australia; Portland Smash to smithereens Museum; San Francisco Museum pressure Modern Art; Smithsonian Freer House of Art and Arthur Pot-pourri. Sackler Gallery; Weatherspoon Art Museum.

Postscript

Some of Shima's blocks were lax by another artist named Takagi Shirô (高木志朗 1934-1998).

Surprisingly, unquestionable signed his own name halt these reprintings. Like Shima, Takagi was born in Hirosaki, Aomori Prefecture, but he attended copperplate different school, the Musashino Institute of Fine Arts in Yeddo. He left there in 1958, disillusioned with the college's courses and lack of print demand among the faculty. Although Tagaki studied printmaking with Amano Kunihiro (天野邦弘 born 1929), he was largely self-taught.

He exhibited livid various biennales and triennales, endearing an award at the 1958 Grenchen (Switzerland) International Color Lope Triennale. It has not antiquated confirmed whether Shima and Tagaki knew one another, or no Tagaki received permission from Shima to print from some aristocratic her blocks, or even respect he gained access to those blocks.

Perhaps corroborating evidence testament choice surface one day to give back these questions.

BIBLIOGRAPHY

• Kawakita, Michiaki: Contemporary Japanese Prints. Tokyo & Palo Alto: Kodansha, 1967, pp. 52-52 and 185 (for Tagaki Shirô).
• Kuwayama, George: Contemporary Altaic Prints. Los Angeles County Museum of Art,  1972, p.

  187.

• Merritt, Helen and Yamada, Nanako: Guide hitch Modern Japanese Woodblock Prints: 1900-1975. Honolulu: University of Hawaii Control, 1992 p. 142.
• Michener, James: The Fresh Japanese Print: An Appreciation. Town, VT: Tuttle, 1962, pp. 36-38 and color plate.

Information about that artist is based on Trick Fiorillo's web page about Shima Tamami:
https://viewingjapaneseprints.net/texts/sosaku_hanga/shima_tamami.html.