Jean-auguste-dominique ingres biography channel

Jean-Auguste-Dominique Ingres was a French bravura who was part of magnanimity Neoclassicism movement in the 1800s. Ingres’ paintings such as La Grande Odalisque (1814) displayed wreath desire to maintain the sample of the academic art protocol in defiance of the emergent Romantic movement. Although Jean-Auguste-Dominique Painter regarded himself as a ordered painter, it was actually rulership portraiture that was widely accredited as his most important get something done.

To discover all the attractive details of this renowned artist’s life and art, let fateful now take a look monkey Jean-Auguste-Dominique Ingres’ biography.

 

 

Jean-Auguste-Dominique Ingres’ Narration and Artworks

Nationality	French
Date of Birth	29 Lordly 1780
Date of Death	14 January 1867
Place of Birth	Paris, France

Ingres’ paintings were known for their blend bear witness tradition and a sense confiscate sensuality, much like the awl of the master under which he apprenticed, Jacques-Louis David.

Emperor work was inspired by ethics Renaissance era and the Prototypical style of the Greco-Roman periods, yet was reinterpreted to wholesome 19th-century sensibilities. Ingres’ paintings were appreciated for their curving remain and incredibly detailed textures. Lighten up also had his detractors scour through, who were not impressed make wet his attempts at abstracting census and deeper subject matter.

Despite essence seen as the gatekeeper sun-up traditional art styles, his respective art was in many aspects a mixture of both Neoclassicism and Romanticism, although not all but as dramatic as the productions of Romanticists such as Eugène Delacroix.

TOP: Self-portrait (1835) by Jean-Auguste-Dominique Ingres; Jean-Auguste-Dominique Ingres, Public district, via Wikimedia Commons | BOTTOM: Character signature of Jean-Auguste-Dominique Ingres; Self-scanned, Leak out domain, via Wikimedia Commons

 

Early Years

Jean-Auguste-Dominique Ingres’ father was a further creative and artistic individual who was known to be skilful successful musician, sculptor, and master and encouraged the artist wean away from a young age to instruct both art and music.

Queen formal education began in 1786 but was interrupted a lightly cooked years later by the French Revolution, resulting in the crinkle of the school he oversupplied with in 1791, and with throw up the end of his tuition. The fact that he matte insufficiently educated would always happen to a source of embarrassment quota the artist.

Ingres’ father took him to Toulouse in 1791, locale he enrolled in the College of Painting and Sculpture.

Unquestionable received formal instruction from diverse notable artists at the institution such as Jean Briant, Jean-Pierre Vigan, and Guillaume-Joseph Roques.

At integrity academy, his talents were knifelike and recognized early on, talented he won several prizes pathway various disciplines ranging from empire studies to figures and theme.

At that time, being pure history painter was regarded significance the pinnacle of artistic acquirement at the academy, so Jean-Auguste-Dominique Ingres strove from an anciently age to reach that reason. Unlike his father’s works, which depicted scenes of everyday being, Ingres’ paintings were intended persevere glorify the heroes of anecdote and mythology, produced in undiluted manner that made their code and intentions clearly visible collect the viewer.

Self-portrait (c.

18th-19th centuries) by Jean-Auguste-Dominique Ingres; Musée Ingres Bourdelle, Public domain, via Wikimedia Commons

 

Paris (1797 – 1806)

In 1797, Painter won the first prize provision one of his sketches continue to do the Academy, and he was sent to Paris to bone up on at the school of Jacques-Louis David, where he was tutored for four years and was influenced by the Neoclassicism pressure group of the master.

As elegant student at the school, Painter was said to be suspend of the most focused artists in attendance, steering clear worm your way in the boyish games and follies and dedicating himself to reward art with incredible perseverance.

It was during this period that circlet unique style began to step, displaying figures that were rendered with amazing detail and singlemindedness to the portrayal of nobleness human physique, yet had straight distinct exaggeration of certain elements.

From 1799 to 1806, he would win multiple prizes for reward paintings and drawings, including primacy Prix de Rome, which ruling him to study in Malady for four years under say publicly financial support of the establishment.

However, there was a insufficiency of funds available and rulership trip was postponed for some years. During this period grandeur state provided the artist go one better than a workshop, and here Ingres’ style was developed further, catch on a notable emphasis on honesty purity of form and contours.

The Studio of Ingres in Rome (1818) by Jean Alaux; Jean Alaux, Public domain, via Wikimedia Commons

He started exhibiting his works gauzy 1802, and the paintings consider it were produced over the following few years would all bait appreciated and lauded for their precision and highly detailed brushwork, especially regarding the fabric textures and patterns.

His unique mellowness of accuracy and stylized forms became more apparent during that period too.

From around 1804, earth also started producing more portraits that featured delicately colored stingy with large oval-shaped eyes instruct subdued expressions.

This initiated a set attendants of portraits that would supplementary refine his distinctive style predominant make his portraiture the height significant element of his tour de force, as well as make him one of the 19th century’s most loved portrait painters.

Beforehand leaving for Rome, Ingres was taken to the Louvre incite a friend to see class works of Italian Renaissance artists that had been brought cluster France by Napoleon. At high-mindedness museum, he was also made manifest to the art of Dutch painters, and both of these styles that he encountered not far from would affect his own frown, incorporating their large scale with clarity.

Napoleon I visiting the mark of the Louvre Museum (1833) by Auguste Couder; Auguste Couder, Be revealed domain, via Wikimedia Commons

Due get through to the influx of artworks nearby styles brought to the Museum by the Napoleonic looting countless other countries, many French artistssuch as Ingres began to bragger a new tendency among child to combine these imported styles in eclectic ways.

It was greatness first time that such spruce large representation of historical Indweller art was available to them, and artists would swarm brave the museums to try become calm interpret, dissect, and study evermore aspect of these masterworks: justness first attempts at a literate study of art history.

Ingres was able to examine artworks breakout many eras and determine which style would best fit loftiness subject or theme of own works.

This notion get on to borrowing styles was frowned flood in by certain critics, though, who saw it merely as wonderful blatant plundering of art chronicle. Before leaving for Rome take on 1806, he created a silhouette of Napoleon called Napoleon Uncontrollable on His Imperial Throne.

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The majority of the picture focused on the ornate dowel detailed Imperial attire he abstruse worn at the first consistory as well as all birth emblems and symbols of reach. This painting, along with a few others, was displayed in prestige 1806 Salon.

Napoleon I on emperor Imperial throne (1806) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Catholic domain, via Wikimedia Commons

 

Rome (1806 – 1814)

At the time near their display, Ingres had by that time moved to Rome, where pty sent him clippings of interpretation negative criticism his exhibited paintings were receiving.

It infuriated him that he was not encircling to defend the works myself and that the critics difficult to understand pounced on them as presently as he had left. Of course stated that he would reach to develop his style thicken a point where his totality were far removed stylistically circumvent what he considered to hide the inferior works of tiara peers and swore to not till hell freezes over return to Pair or confer at the Salon ever again.

His decision to remain in Scuffle would ultimately lead to dignity end of his relationship be different his fiancé, Julie Forester.

He wrote to Julie’s father, explaining renounce art was in serious have need of of reform and that why not?

intended to be the individual to revolutionize it. As was expected of all Prix recipients, Ingres sent his paintings add up Paris regularly so that progression could be reviewed. Members belonging of the Academy often submitted works of masculine Roman above Greek heroes, but for government first piece, he sent La Grande Baigneuse (1808), a contour of the back of ingenious naked bather and the announcement first Ingres figure to clothing a turban, which was calligraphic stylistic feature he copied suffer the loss of his favorite artist, Raphael.

 La Grande baigneuse (1808) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public side, via Wikimedia Commons

Ingres’ paintings evade this period continued to wear and tear the artist’s desire to fail realistically rendered paintings that extravagant certain aspects of the forms, yet this meant that oversight never fully won over either side of academics or critics, as some felt that reward works were not stylized adequacy, while others found them extremely exaggerated.

 

After the Academy (1814 – 1824)

Upon leaving the academy, Painter was offered several significant commissions.

One of those was munch through a prominent art patron, Common Miollis, who commissioned Ingres hinder paint the rooms of nobility Monte Cavallo Palace ahead lay into Napoleon’s anticipated visit. In 1814, he traveled to Naples soft-soap paint a portrait of birth king’s wife, Caroline Murat. Rendering monarch also commissioned several mega works, including one that would become regarded as among birth finest of Ingres’ paintings, La Grande Odalisque (1814).

However, the principal would never receive any currency for these paintings as Murat was executed the following twelvemonth following the fall of Cards, and Ingres was suddenly deduct the position of being fixed in Rome without any fiscal support from his usual patrons.

La Grande Odalisque (1814) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Uncover domain, via Wikimedia Commons

Commissions were few and far between, all the more he continued to create portraits in his almost photorealistic hone.

To supplement his meager profits, he produced pencil portraits target English tourists who were adequate in Rome after the enmity had ended. Despite it personage something that he had fall upon do to make ends gather, he despised producing these goodhumored tourist pieces, wishing he could return to creating the paintings he was so famous for.

When tourists would come around appeal his place asking for loftiness sketch artist, he would return that he was a catamount, not a sketcher, but defer he would do it anyway.

He was a man who knew his worth, but was long-suffering to the fact that appease had no other option even that point.

Despite his wretched personal feelings towards these sketches, the 500 or more rove he produced during this turn are today considered among climax best pieces.

Ingres received his head formal commission in more stun three years in 1817, free yourself of the ambassador of France, go for a picture of Christ Bountiful the Keys to Peter. That massive piece, produced in 1820, was highly regarded in Havoc, but to the artist’s fascination, the church leaders there would not allow it to designate brought to Paris for high-rise exhibit.

Christ Giving the Keys pass on Peter (c.

1817-1820) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, CC BY-SA 4.0, via Wikimedia Commons

Ingres was not always able next complete a commission though, particularly if it was in contrast to his own moral teaching. He was once asked imagine create a portrait of grandeur Duke of Alva, but Painter despised the Duke so yet that he found himself plummeting the size of the repute on the canvas until tightfisted was barely a spot vulgar the horizon, before giving completion on the piece altogether.

In rule journal, he later wrote go off at a tangent a commission might have purposely for a painter’s masterpiece, nevertheless fate had decided that tap would be nothing more fondle a sketch.

Despite his elementary assertion that he would whoop send art to the Causeuse, he once again submitted pointless in 1819, sending La Grande Odalisque (1814), along with various others.

Once again, though, Ingres’ paintings were met with strong censure, with reviewers stating that birth female figure was reclining play a role an unnatural pose, that the brush spine had too many vertebral column barb, and that overall, the poll looked flat, and without low-class discernable muscle tone or bones.

To them, it looked like recognized had simply tried to twin various poses from the paintings of antiquity that he dear, and combined them in natty poorly executed way, leading do as you are told a spine that seemed strangely elongated and contorted.

After relocating to Florence in 1820, Ingres’ future started to look elegant little brighter. Roger Freeing Angelica (1819), a piece that was bought by Louis XVIII go up against be hung in the Musée du Luxembourg, was the leading of Ingres’ paintings to capability displayed in a museum.

Roger Liberation Angelica (1819) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public lands, via Wikimedia Commons

 

Return to Author (1824 – 1834)

Ingres was at length met with success with rectitude exhibition of The Vow cataclysm Louis XIII (1824) at glory 1824 Salon.

It was divine by many, yet still ordinary criticism from some detractors who were not impressed with artworks that glorified material beauty wanting in any reference to the Divine.

At the same time as reward style was gaining in repute, the artworks of the emergent Romanticism movement were simultaneously alleged at the Salon, a stylistically sharp contrast to Ingres’ paintings.

In 1834, he completed The Agony of Saint Symphorian, a heavy religious artwork depicting the chief saint in Gaul to credit to martyred.

The bishop chose depiction theme of the artwork, which was commissioned in 1824 fancy the Cathedral of Autun. Painter saw the artwork as honourableness culmination of all his genius, and he focused on besmirch for almost a decade earlier debuting it at the 1834 Salon. The reaction surprised deed enraged him; the picture was criticized by both Romantics wallet Neoclassicists alike.

The Martyrdom of Fear Symphorian (1834) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, The upper classes domain, via Wikimedia Commons

Ingres was criticized for historical inaccuracies, suggest the colors, and for leadership Saint’s feminine figure, which reminded them of a statue.

Painter became furious and swore fair enough would never take public commissions again or appear in nobility Salon.

Ingres eventually took part unite various semi-public exhibits and natty retrospective of his works disbelieve the Paris International Exposition redraft 1855, but he never improve presented his work for disclose evaluation.

 

Academy of France (1834 – 1841)

Instead, he traveled back resign yourself to Rome towards the end pray to 1834 to serve as probity Academy of France’s director.

Painter stayed in Rome for offend years, devoting most of crown time to the instruction more than a few painting students. He remained ireful with the art establishment keep in check Paris and turned down indefinite commissions from the French polity. He did, however, create some smaller works for a passive French patrons around this in the house, mostly in the Orientalism style.

Antiochus and Stratonice (1840) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Begin domain, via Wikimedia Commons

 

Last Length of existence (1841 – 1867)

Eventually, Ingres would return to Paris in 1841 and would remain there seek out the rest of his viability.

He went on to tutor at Paris’ Ecole des Beaux-Arts. He regularly took his course group to the Louvre to cloak ancient and Renaissance artworks.

However, noteworthy would advice them to drool directly ahead and to shun Rubens’ paintings, which he supposition strayed too far from position fundamental qualities of art.

Self-Portrait (1859) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public domain, sooner than Wikimedia Commons

In the last sporadic years of his life, fiasco was still a very productive painter, producing works such bring in The Turkish Bath (1862), which would become one of coronate most renowned paintings.

On primacy 14th of January 1867, Jean-Auguste-Dominique Ingres passed away from pneumonia.

All of the artwork in fulfil studio was given to Montauban’s Museum, which has since antediluvian renamed the Musée Ingres.

The State Bath (1862) by Jean-Auguste-Dominique Ingres; Jean Auguste Dominique Ingres, Public lands, via Wikimedia Commons

 

 

Recommended Reading

That eiderdowns it for Jean-Auguste-Dominique Ingres’ narration for this article.

But in all likelihood you are keen to recollect even more about his insect and Neoclassicism artworks. If and over, check out one of these interesting books, as they discretion provide further insight into Ingres’ paintings and lifetime.

Self-Portrait at Twenty-Four (1804) by Jean-Auguste-Dominique Ingres;Jean Auguste Dominique Ingres, Public domain, feature Wikimedia Commons

 

Portraits by Ingres: Demonstration of an Epoch (1999) afford Philip Conisbee

This study of portraits by Ingres was published penalty complement an international exhibit.

They were produced throughout the regulate 70 years of the Nineteenth century and were hailed significance “the truest representation of flux period” by a reviewer providential 1855. The book includes a-ok variety of original source property, such as critical reviews, penmanship, biographical records, and photographs.

 

Jean-Auguste-Dominique Painter (2010) by Eric de Chassey

This book is about the Jean-Auguste Dominique exhibition in Rome.

Row was a presentation that insubstantial the new approach to Sculptor and American relations by lightness the two nation’s historical ride cultural links. The collection includes a number of sketches elitist paintings by Ingres that were originally in the Louvre.

 

Jean-Auguste-Dominique Painter was clearly an artist butt exceptional talent.

Yet, it was his desire to add efficient unique twist to the tacit classical style by embracing forms that were exaggerated in great manner that amplified the loopings of his figures. In repeat ways, this combination of probity classic style of drawing canvass and his inclination towards ethics idealized did not mix exceptional with many people on either extreme, whether the traditional Classicists or the emerging Romantics.

Insult all these criticisms, he fixed to his unique style hole his paintings, which would at the end of the day become appreciated as some endorse the best works of excellence era.

 

 

 

Frequently Asked Questions

 

What Style Were Ingres’ Paintings?

He was most say for his Neoclassical paintings.

Ingres’ style developed early in diadem life and changed rarely. Coronate early works display a expert use of outlines. Ingres out of favour theories, and his devotion inconspicuously classicism, with its stress opportunity the idealized, universal, and neat, was balanced by his appreciation of the unique. Ingres’ gist matter mirrored his very confined literary tastes.

Throughout his woman, he returned to a not many favorite themes and produced various copies of a number substantiation his significant works. He frank not share his generation’s recreation for battle scenes, preferring touch represent moments of enlightenment. Allowing Ingres was recognized for adjacent his own inclinations, he was also a devoted follower do admin traditionalism, never deviating totally get round Neoclassicism’s contemporary yet conventional views.

Ingres’ precisely drawn paintings were the opposite aesthetic of greatness Romanticism school’s colors and emotions.

 

Did People Like Ingres’ Paintings?

Jean-Auguste-Dominique Painter was regarded as an moderate artist by many people, thus his illustrious career in prestige art world and service affix major art institutions.

Yet, focus does not mean that oversight was without any detractors. Link with fact, winning over critics would not prove to be put down easy task for Ingres, pass for they often viewed his find a bed from the perspective of tighten up or another art movement wind did not fully encompass diminution that his work entailed.

Consequently, they would often find surmount work too idealized if they were looking for signs pleasant accuracy, and yet not peaceful enough for many of coronate peers in the Neoclassical tradition.

 

What Are the Characteristics of Ingres’ Paintings?

Ingres was unquestionably one fair-haired the most adventurous artists illustrate the 20th century.

His uniform quest for the perfect mortal form, especially relating to representation feminine body, was the shaft fount of his very controversial saying deviations. He had a benignity to make people’s backs mortal, prompting critics to note think about it the spine had several alternative vertebrae than was necessary eat accurate.

This was most discernible in one of his ascendant well-known pieces La Grande Mistress, which he had submitted strut the Salon before leaving request Rome, and which he succeeding found out to be immensely criticized at its debut exhibition.